I was reading LIFE AFTER DEATH, Damien Echols’s haunting memoir of his time spent on death row after being wrongfully convicted a gruesome triple murder. Early in the book, he describes showing up at his best friend’s house – only to find that the friend and his entire family have disappeared. I used that scenario, in a completely different context, to launch THE LAST PLACE ON EARTH.
How long or hard was your road to publication? How many books did you write before this one, and how many never got published?
THE LAST PLACE ON EARTH is my ninth novel. I have never written a book that was not published, which makes me sound either super talented or super lucky. However, if you take into account all of the novels that I started but didn’t finish, the word count would easily add up to two or three books. Also, I spent fifteen years working on my craft before ever attempting to sell my first novel – and by “working on my craft” I mean writing a filing cabinet’s worth of short stories (this was back in the day of paper) that never made it to print. Now, I am lucky to have a really smart agent. Last fall I sent her 125 polished pages and settled in for her praise and promises for a big book deal down the line. Instead, she told me (very nicely) that the book, for various reasons, would be a tough sell, plus she didn’t connect to any of the characters. That was not what I wanted to hear, obviously, but I knew she was right, and after licking my wounds, I shelved that project and moved onto something else. I keep waiting for writing to get easy, but I guess that is not going to happen.
Was there an AHA! moment along your road to publication where something suddenly sank in and you felt you had the key to writing a novel? What was it?
Years ago, I began what I thought would be my first novel, which was based on one of the many short stories I wrote over the years (only one of which was ever accepted for publication, in a really obscure literary journal). The book had everything, I thought: a strong, funny voice; a quirky, likeable protagonist; a distinct setting; and compelling characters. Why, then, was writing such a slog? Why couldn’t I gain any momentum? Finally, after about 150 pages, I realized what was missing. My book had no plot. One random thing would happen. People would talk. Then some other random thing would happen. Then some other people would talk. But there was no story arc, no forward trajectory, no point to any of it. So, yeah. There’s my AHA moment: a novel needs a plot. While I realize how obvious that sounds, a short story can get away with minimal action if there’s a strong voice, interesting characters and a final epiphany. But in a novel, not only does a lot of of stuff have to happen – that stuff has to lead to other stuff that happens, and it all has to have a point.
ABOUT THE BOOK

Hardcover
Henry Holt and Co.
Released 2/23/2016
Daisy's best friend is missing . . . and not for the reasons she thinks.
Henry Hawking is sixteen years old, brilliant, funny, and sly--and now he's missing. But no one seems worried except his best friend, Daisy Cruz, who knows that Henry's security-obsessed parents would never leave town without taking proper precautions. And Henry would never go away without saying good-bye.
Daisy considers all the obvious explanations for Henry's disappearance (federal witness protection program, alien abduction) before breaking into Henry's house. In his room, she finds a note that pleads, SAVE ME.
Desperate to find Henry, Daisy follows his trail deep into the California wilderness. What she finds there makes her wonder if she ever knew Henry at all . . . and if the world as she knows it will ever be the same.
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ABOUT THE AUTHOR

Carol Snow grew up in New Jersey. Much of her childhood was spent immersed in books; the rest was focused on avoiding dodgeball. In addition to her psychology degree from Brown University, she holds an M.A.T. in English from Boston College. Before getting her first book published, she had the typical (for a writer) assortment of odd jobs: tour guide, tutor, chambermaid, waitress. She worked for a T-shirt company, a child services agency, and a vanity press. She even had a short stint in local politics. Her campaign brochures were really pretty, with flawless punctuation.
Since leaving New Jersey, Carol has lived all over the place: Rhode Island, London, Massachusetts, New York, Connecticut, Utah, Arizona, and, now, Southern California, where she shares a cat-fur-coated house with her husband and their two children.
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Happy reading,
Jocelyn, Shelly, Martina, Erin, Susan, Sam, Lindsey, Sarah, Sandra, Kristin, and Anisaa
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