Lisa, what was your inspiration for writing HONEY GIRL?
Although I never lived in Hawaii, my father’s business took us there so frequently that it felt like my home away from home. I learned to hula, listened to Hawaii calls, and played a ukulele. When I was 16, my father died after several heart attacks. It was an inconceivable loss. My whole world turned upside down and Hawaii was erased off the map. Although my family didn’t live on Oahu, it was the place I felt most at home. I confidently fit in with my dark hair, eyes, and skin from spending day after day in the tropical sun. Where I grew up in Southern California, the beach was dominated by blonde-haired, blue-eyed locals. My journey of learning to assimilate while coping with the loss of my father was the inspiration behind Honey Girl and what makes this novel semi-autobiographical.
What scene was really hard for you to write and why, and is that the one of which you are most proud? Or is there another scene you particularly love?
In the early drafts of Honey Girl, Nani’s father died toward the end of the book. Writing the scene was impossible, and I finally remedied the whole situation by having him die before the book starts. One of my favorite scenes is in Chapter 26 when Rox starts actually ingesting food. Don’t want to be a spoiler, so excuse my generality.
What's your writing ritual like? Do you listen to music? Work at home or at a coffee shop or the library, etc?
My writing ritual is very simple. When I have time, I do it without apology. I work in a studio split between one very bright room under a 100-year-old pepper tree, and a dark room with one small window, which my family has fondly nicknamed “The Cave.” That’s where I write. Every morning I go into The Cave, sit down at my desk with blank white paper and a pen, and turn on music without lyrics or in another language to help me focus. When I was working on Honey Girl, I watched surf movies and hula competitions such as the Merrie Monarch Festivals to remind me of the place I love most in the world: Hawaii.
What advice would you most like to pass along to other writers?
Write every day, even if it’s only a sentence.
What are you working on now?
Currently, I am working on a paranormal romance called Prove It.
Was there an AHA! moment along your road to publication where something suddenly sank in and you felt you had the key to writing a novel? What was it?
My AHA! moment was when I finally agreed with what every publisher was telling me. Honey Girl was YA.
ABOUT THE BOOKHoney Girl
by Lisa Freeman
Sky Pony Press
How to survive California's hottest surf spot: Never go anywhere without a bathing suit. Never cut your hair. Never let them see you panic.
The year is 1972. Fifteen-year-old Haunani “Nani” Grace Nuuhiwa is transplanted from her home in Hawaii to Santa Monica, California after her father’s fatal heart attack. Now the proverbial fish-out-of-water, Nani struggles to adjust to her new life with her alcoholic white (haole) mother and the lineup of mean girls who rule State Beach.
Following “The Rules”—an unspoken list of dos and don’ts—Nani makes contact with Rox, the leader of the lineup. Through a harrowing series of initiations, Nani not only gets accepted into the lineup, she gains the attention of surf god, Nigel McBride. But maintaining stardom is harder than achieving it. Nani is keeping several secrets that, if revealed, could ruin everything she’s worked so hard to achieve. Secret #1: She’s stolen her dad’s ashes and hidden them from her mom. Secret #2: In order to get in with Rox and her crew, she spied on them and now knows far more than they could ever let her get away with. And most deadly of all, Secret #3: She likes girls, and may very well be in love with Rox.
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ABOUT THE AUTHOR
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