In it For the Long Haul
by L.B. Schulman
I owe any and all success I’ve had with writing to one main thing: relentless persistence. I was not the author you hear about who sold her first novel in a four book series, six-figure deal. (Who are those people, anyway?) In fact, the first word I ever wrote in the YA genre belongs to my first manuscript, which became my first published novel, LEAGUE OF STRAYS. But by the time it found a publishing home, I’d since written three other complete manuscripts and was working on my fourth. I’d signed and left two agents and had been rejected by 30 publishers total. It was a long road, but hey, I was up for a marathon. I told myself that if I failed, it wouldn’t be for lack of trying.
It’s common for an author to write many manuscripts before getting published, but in my case, I feel I speeded up the process by never abandoning my first.
In the beginning, it was filled with immature writing, bad dialogue, flat characters, and epic scenes that didn’t connect in anything close to what is commonly referred to as “plot.” To be honest, part of my drive was that I couldn’t bear to think I’d wasted years of my life on a project that would go nowhere, and part of it was that I knew in my heart that this book had potential.
Contrary to what we hear from the media, most authors are not overnight successes. Most of us need to work at craft for a very long time. I’ve met many authors who work on a project for a while, then lose interest and start something new. Or perhaps they actually make it to The End, only to find themselves so sick of working on said project that they put it aside indefinitely and turn to something new. They aren’t learning to fix their mistakes; they’re learning to make new ones.
To me, writing has a lot in common with marriage. After the intensity of a relationship wears off, it can be challenging to maintain interest. It begins to take work. Yes, there are payoffs to a committed marriage, but judging from the divorce rate, it’s tough to be in it for the long haul. Same goes with your relationship with writing. Just because you’ve reached The End doesn’t mean you can push it to the side. If you want to make a career for yourself, then you should accept that you’ve only just begun to work. Revision, for most of us, is absolutely essential to getting published. The bad news is, I’m not talking one revision, or even three. I mean so many that you lose track.
There may come a point where my agent wants to put a specific manuscript to the side, or we exhaust editors for a certain project, but it won’t die because I don’t feel like working on it anymore. Complete what you start and don’t let fear of success, fear of failure, boredom, or whatever may be your excuse, get in the way of polishing something until it shines. If you can honestly look at your project and say, “I’ve done all I can possibly do, to the best of my abilities,” then fine, walk away. But most of us know that we can do better, revision after revision. The question is, are we willing to make such a stupendous effort?
The difference between most published and unpublished writers is not inherent talent. It’s not great ideas. It’s not networking abilities. It’s elbow grease, plain and simple.
Oh, and by the way, why I was writing, I was also reading every YA I could. I listened for voice. I wrote down phrases and turn of words that I liked. I analyzed plot. I thought about what worked or didn’t work in a novel. And all that analysis seemed to magically work its way into my writing. Work, Read, Work, Read, Work, Read = Success!
The gleaming new idea is always around the corner to entice us away from what we may perceive to be an old, lackluster, project. But ask yourself this: do you want a series of one-night stands or real love that last a lifetime?