HOW TO WRITE SCARY
by Gretchen McNeil
Here's the thing about writing horror: it's all about the set up.
We're all scared of different things.
For some people, the idea of a giant spider lurking under the bed, is enough to paralyze them with fear. For others, it's the idea of being buried alive in a close, black coffin, utterly sightless in the dark. Still others fear the darkness. Or heights. Or being abandoned in the middle of nowhere.
So many different kinds of scary. The things we fear most come in a variety of shapes and sizes, from the physical – like spiders and sharks – to the esoteric – like claustrophobia and paranoia – to the otherworldly – like demons and vampires and witches (oh my!). What scares one person might be unicorns and rainbows to someone else. But set up properly, even unicorns and rainbows can scare the crap out of you.
To me, conveying fear isn't just about describing a situation, object, or person that someone might find scary, but giving a blow-by-blow of the event and actually detailing the fear reaction in the characters.
We all know exactly what it feels like to be scared. First you have the anticipation: What's behind that closed door? What's making that scratching noise in the attic? What's lurking in the deep, dark waters? It's the tensing of muscles like you're expecting a blow, that stretching of all your senses, trying to see/feel/hear/smell danger before it pounces on you. The higher the tension is pitched, the bigger the wallop.
Next, the reveal. The door opens to expose a dead body that spills out on top of our poor heroine the moment she turns the doorknob. The scratching noise in the attic inexplicably moves through the ceiling, down the stairs and manifests in a dark, demonic entity. The dorsal fin of a great white shark breaks the surface of the water in which you're swimming. The terror has been revealed in one jarring, scream-inducing moment!
But that's not scary enough, not for the expectant reader. You need the next step in the process – experiencing the fear through the eyes of the main character. We need to feel their bodies tremble as they break out into a cold sweat. We need to hear the blood-curdling scream that explodes from their mouths. We need to internalize the sick, sinking feeling in their stomachs as death closes in around them.
And lastly, the action. Our heroine's panicked flee from the house, our hero's desperate attempt to out maneuver a man-eating shark. Will they survive? Will they escape? Hearts pound in anticipation with every turn of the page!!!!
Broken down, none of these steps in the process seems particularly scream-worthy, but strung together with pacing and tension? WHAM. Horror show.
* * *
TEN by Gretchen McNeil
And their doom comes swiftly.
It was supposed to be the weekend of their lives – three days on
at an exclusive house party. Best friends Meg and Minnie each have their own reasons for wanting to be there, both of which involve Kamiak High’s most eligible bachelor, T.J. Fletcher. But what starts out as a fun-filled weekend turns dark and twisted after the discovery of a DVD with a sinister message: Vengeance is mine. Henry Island
Suddenly, people are dying and the teens are cut off from the outside world. No electricity, no phones, no internet, and a ferry that isn’t scheduled to return for two days. As the deaths become more violent and the teens turn on each other, can Meg find the killer before more people die? Or is the killer closer to her than she could ever imagine?
POSSESS (Balzer + Bray, on sale now!)
TEN (Balzer + Bray, on sale now!)
3:59 (Balzer + Bray, Fall 2013)
GET EVEN (Don't Get Mad, Book 1, Balzer + Bray, Fall 2014)
GET DIRTY (Don't Get Mad, Book 2, Balzer + Bray, Fall 2015)