Monday, September 26, 2011

5 1st 5 Pages Workshop - September Entry #5 Rev 3

Kimberly C. Stickrath
Middle-Grade Fantasy
The Woon of Bink

Chapter One

Three years. It had been only three years since the tyrant Woon had taken control of all the countries of Bink. Only three years since he built the first Great Paper Wall of Daily Laws around the capital. For the tiny people of Bink, the weight of the Wall was the foot of a giant grinding down hard on their necks. For in three years, the Woon had banned laughing, dancing, and so much more, and this made three years seem like a very long time indeed.

Once, the green, misty hills had looked like a parade of handsome green soldiers guarding the flowers of the central plain. Now, the countryside around the capitol of Bink was grey and dead. Any observer might think that the land was dying of grief

… any observer but the strange little fellow hurtling up the dirt and gravel road at a break-neck pace. He didn’t have much time for observing because it looked like he was going to truly break his neck!

“Ohhh-Whoa-Oh! Help! Stop!” he hollered, though no one was around to hear him. “Oh, My! Oh! Whoa! Oh! Heh-ELP!”

He was a curious sight because he was no more than three-feet tall, and was therefore a good half-foot shorter than the average Binkarian. He was even more curious precisely because he had no good feet. Instead, he had polished cherry-wood rockers where his feet should have been. Once he got started, it was all he could do to get stopped again. To move forward, he had to take big hops that rocked him to and fro when he landed. Each time he rocked “fro”, he would almost overbalance and fall on his rump. Each time he rocked “to”, he would almost land flat on his nose. This caused his face to go all squinchy. (Though what really caused his face to go all squinchy was that he couldn’t help but imagine how much it would hurt his face if it really did knock into the ground. The simple truth was that his imagination made his face hurt almost as much as a real bump!)

Gasping and red-faced, Funny-Foot finally flopped down to rest his face near the entrance to the Great Paper Wall. He hated hurrying. His face was all squinched up tight with the strain of traveling, and just as sore as could be. And he had awful cramps in the bowed parts of his rockers. He rubbed his thumbs hard into the achy wood to ease it, and then sucked on one thumb that had caught a splinter.

Funny-Foot sighed around his thumb.

“Ohhhh,” He said to himself. “I wish I could have come here in a pambanouche. It would have been so much easier.”

For a long time, Funny-Foot huffed in great, deep breaths. He rolled over and flopped on his back, staring at the sky. (He wanted to count the sheep in the clouds, but he didn’t dare for it was against the law.) Eventually, his lungs stopped hurting so much, and his face relaxed back into its normal appearance – that of a happy gentle clown. It still felt ouchy, but at least he could unclench his teeth now. He sat up, and scooted himself against the Wall. After taking a quick look around and assuring himself that no one was watching, he scratched his lower back against its crinkly flash paper and sighed in relief. Then he turned his head to the Wall, and spoke to it. (Not many people take the time to talk to walls, but Funny-Foot had always found them to be good listeners.)

“In case you didn’t know, a pambanouche is that light, cheerful buggy drawn by a pair of three-legged donkeys.” He paused, considering. “It’s very important that the donkeys have only three legs, for it is always the forth leg of a donkey that makes it go along all jerky and bumpy.”

The Great Paper Wall said nothing, but a few pieces of paper shifted politely in the wind, and Funny-Foot took that as an invitation to continue.

“My Uncle Mizz was the inventor of the pambanouche… and he even raised the very first three-legged donkeys.” He chewed on his thumb, and finally released the splinter. He frowned and spat it out. “The prettiest pambanouches were made in my country. The Woon wanted them all, but didn’t want to pay for them. So, he declared pambanouches against the law in my country. Then he confiscated all of the pambanouches for the capital of Bink. And my Uncle Mizz… my poor Uncle Mizz --…”

It took a moment for Funny-Foot to go on. “Uncle Mizz is in a Jug-jail forever an’ ever, along with most of my people. And what makes it even worse is that I never even got a chance to ride in a pambanouche. Not even once. And now I never will.”

The Great Paper Wall rustled sympathetically. The wind blew on Funny-Foot’s face, and dried his tears a little. The sun felt warm on his rockers. But the world felt so very big. And he was so very small.

To distract himself, Funny-Foot unpinned a shiny, copper ribbon from his vest and held it up for the Wall to see.

“See this?” The ribbon was a lovely smooth satin, and had the words ‘Nicest Person Ever!’ written on it in big silky letters. “The people in my country gave me this. Said this little copper ribbon meant I was to be their ‘Bassador. When I asked what a ‘Bassador was, they said it meant ‘Somebody-Who-Goes-To-the-Woon-To-Ask-Him-To-Stop-Making-So-Many-New-Laws.-Or-At-Least-Ask-Him-To-Hold-Off-A-Bit-Until-Everyone’s-Learned-the-Old-Ones’.”

Funny-Foot stroked the ribbon and pondered it uncertainly.

"Wonder what it would have meant if I’d gotten a little green ribbon?”

The Wall had no response for that.

Funny-Foot sighed something that sounded like apologetic hiccup. Initially, he’d been flattered when they’d given him his ribbon and new title. Still, he couldn’t help but feel the people of his land were, well … a little silly. (And this was quite true. The people of his country were always known to be remarkably good-hearted, but they were also known to be terribly naïve.) They thought that if they liked and listened to Funny-Foot, that everyone would like and listen to Funny-Foot. But that said, it should also be mentioned that none of them – including Funny-Foot -- were naïve enough to actually want the job of ‘Bassador. They said Funny-Foot’d talk to anyone or anything, and that made him qualified, but Funny-Foot had his doubts. Frankly, he didn’t have the vaguest idea how to go about changing the Woon’s mind. Funny-Foot didn’t get the feeling that the Woon was very impressed with nice people. The very thought of facing the mean old Woon and his five-hundred lawyers made Funny-Foot’s face squinch up and hurt more than all the imaginary bumps he’d ever almost had.

“Ohhhh, if only there weren’t so many things against the law,” moaned poor Funny-Foot, daubing liniment on his face with his handkerchief. The liniment made his sore face feel a little better, but it didn’t quite do the trick. Funny-Foot decided to put his face back in the cool grey grass. He did so, and his face felt better still. Then he thought about all of the laws of Bink, and his poor Uncle Mizz -- and that made him cry, and the tears cooled off his face even more. That was why he did not see the Detective coming. He was so busy crying, with his face down


  1. Mary D
    zenrei57 (at) hotmail dot com

    Terrific & creative; imaginative children should truly enjoy this - though I'd break up some of the lengthier paragraphs.

    Loved the Paper Wall!

  2. Awesome job!

    This flowed nicely and had such texture to it. I think you've found the right balance between the narrator and Funny-Foot.

    A few typos - missing punctuation, forth for fourth, etc - nothing major.

    I thought his part of the one sentence was a bit awkward.
    ...hurt more than all the imaginary bumps he’d ever almost had

    Other than that, this was great!

  3. I really enjoyed this! I think, personally, that you can lose the parentheses. You might want to try it and see how it reads without. I'm not sure about the first paragraph though. It feels so ominous and serious. I'm not sure if that's the right tone for the rest of the book. Just thought I'd put that out there.

  4. Hi Kim,

    I agree with what everyone said. For the most part, I enjoyed the parenthesis, but I would be very judicious about using them. THE PRINCESS BRIDE is a great example of every instance of a parenthetical expression adding on so taht the cummulative effect is greater than the sum of its parts. I agree with the overall narrative balance. I think you've hit your stride, but I do think that you should pay attention to what you could conceivably show rather than tell going forward. Be especially mindful of instances where you show AND tell. The description of Funny-Foot being afraid to fall on his face is a classic example. You are almost--but not quite--doing both in that instance. You could easily shift to show us how he winces as the rocker brings his face nearly to the ground, then covers his bum as he rocks back the other direction. Your narrative is delightful, but the character is more delightful still, and I'd rather see that image more clearly than hear the voice in that instance. I definitely agree on the first paragraph. I get that we need the information, but I would still prefer to SEE Funny Foot roll up to the wall and see the fear and trepidation that has built up over three years. I'm NOT advocating that you lose the narrative elements, only that you start with your strengths. I ADORE Funny-Foot. Adore him. So, my feeling is start there. Good luck with this!



  5. I thought your revision was wonderful. I enjoyed reading from beginning to the end and could follow what was happening. I do agree with everyone about the beginning and about doing more showing and not contradicting yourself my re-explaining. With this much progress, you have a very creative story developing. Great job!!


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