But how does a writer get to that point? How do you create scenes that are memorable, visual, and visceral?
First, the Structure
What is a scene? A scene is a segment of a novel. It should:
- Establish a specific goal the main character wants to achieve.
- Develop conflict that blocks the character from getting what she wants.
- Add complications to the plot as the character fails to reach her goal and must react to disaster.
- Has a beginning, middle, and end.
- Shows action in a single setting as the action unfolds.
- Moves the story forward within the overall conflict and dilemma of the novel.
- Provides one or more pieces of new information.
- Introduces characters or reveals something about characters previously introduced.
- Advances the theme.
- Leaves the reader with a specific emotion.
- The emotional response the character has to failure before dusting herself off and looking for solutions.
- The dilemma posed when none of the possible solutions available will solve the problem.
- The risky decision the character finally reaches that seems like the lesser among the available evils.
Then, the Setting
Once you know what's happening in your scene and why, you need to decide where the scene takes place. That's one of the good things about being a writer--you can travel anywhere with a few strokes on your keyboard. But there are a few places you shouldn't set a scene. Don't set it in:
- Empty air.
- A generic version of a location.
- An unpopulated or unfurnished location.
- The same location you've already used for fifty other scenes.
- A place that won't add meaning to your story.
- Create atmosphere.
- Help advance the plot.
- Underscore the potential consequences of failing to fix the overall novel issue or problem.
- Illuminate your characters.
- Provide a framework within which your characters move.
- Give your characters something with which to interact.
- Create visual opportunities that make the scene both larger than life and realistic.
- Let you use symbolism to add meaning to the scene and underscore the emotional tension.
- Tie back to your larger theme.
- Pick a setting where it would be logical for the scene to occur and tell something about both the plot and characters.
- Why are they there?
- Who picked the location? Why?
- Could the scene take place anywhere else? Why not?
- Draw a mental picture of that location.
- What is the mood?
- What is the weather like?
- What is adjacent to the location?
- What does the place look like?
- What does it smell like?
- What does it sound like?
- What does it make the characters think about?
- What does it make the characters feel?
- Determine how this setting different from every other similar location.
- Are there cigarette burns on the carpet?
- Does the maid leave prayers on the pillow?
- Is there a particular shape to the terrain that resembles an animal? A broken tree?
- Is there fox's den nearby? Are the kits trying to sneak out while their mother hunts?
- Put your characters in their places within the setting.
- Are they all grouped together?
- Is one slightly apart?
- Who is next to whom? Why?
- Visualize what tasks they are doing as they interact with each other and start the action of the scene.
- Are they running for their lives?
- Fiddling with a radio?
- Unpacking something?
- Populate the setting with items that help us understand even more about your characters.
- Do they pick something up?
- Shift it back into place?
- Turn it over and hide it? Why?
- Turn away from it? Why?
- Do their eyes keep straying to it? Why?
- What do their eyes focus on?
- What do they love?
- What do they hate?
- What do they avoid?
- What do they want to change? Why?
- What reminds them of childhood or specific events in their lives?
- What does that say about them?
- What does it symbolize?
- How does it tie back to the central theme?
- Imagine how they react to the changing goals, emotional responses, physical reactions, and decisions of the other characters.
- How does their response change the tasks in which they were engaged?
- Their physical locations?
- Their body positions?
A scene has a beginning, a middle, and an end--exactly like a novel. And like a novel, each scene should begin and end with a strong image. The beginning image is your establishing shot. In two or three paragraphs, this verbal image must:
- Give the reader a quick overview of the setting.
- Reveal the characters who are present.
- Provide multi-sensory details to bring the reader even closer to the action.
- Move you naturally into revelation of the main character's immediate goals.
The ending image for the scene is just as powerful. It should:
- Set up the emotional response for the sequel.
- Underscore the "button" or payoff for the scene.
- Highlight the disaster that has just occurred.
A memorable, visual scene has to move beyond writing about generic characters and places. It demands that you create characters and settings so vivid they transcend their own uniqueness and become symbols representing specific traits.
To craft a memorable, visual scene, integrate the scene structure with a detailed, specific setting revealed through character interaction and reaction instead of narrative description. Your scene will jump to life.
What do you think? What did I leave out? Do you have any tips to share?
Next week: The Scene Worksheet
Happy scene building,
For more information:
Best Scenes in Fiction
Scenes, the Building Blocks of Novels
How to Write a Scene
Easy Steps to Writing Sensational Scenes
Writing Fiction, Scenes: Part 1
Writing Fiction, Scenes: Part 2
How to Write a Novel with Perfect Scenes
Writing the Perfect Scene
Sequels: Advanced Writing Technique
Effective Scene Changes--Transitions
Controlling Story Flow with Sequels
Fiction Craft: Ending a Scene
What Makes a Great Setting
Important Tools in Setting a Novel
The Basics of Screenwriting, Setting the Scene
Using Establishing Shots in Your Screenplay
Make a Scene: Crafting a Powerful Story One Scene at a Time by Jordan Rosenfeld
About the Author
Martina Boone is the author of Compulsion and Persuasion, out now in the romantic Southern Gothic Heirs of Watson Island trilogy from Simon & Schuster, Simon Pulse. Illusion, the final book, will be out in October of 2016. Martina is also the founder of AdventuresInYAPublishing.com, a three-time Writer's Digest 101 Best Websites for Writers Site, and YASeriesInsiders.com, a site dedicated to encouraging literacy and reader engagement through a celebration of series literature. She's on the Board of the Literacy Council of Northern Virginia and runs the CompulsionForReading.com program to distribute books to underfunded schools and libraries.